Tag Archives: Slipperworld

DSD and MP3 Download

Happy Equinox! New Album – Slipper DSD Sessions

Season of the Fall 2014 – Equinox for All
Download the new DSD album
Slipper DSD Sessions
…and the bit goes on….

6 Brand New Tracks in Native DSD recorded on Sonoma by Charlie Natzke at Slipperworld.net and mixed by Charlie Natzke as Analog directly back to Sonoma stereo DSD64.

It’s only $9.95 right now – You can get it only at
http://www.davidelias.com

The Slipper DSD Sessions are the result of live studio sessions performed by David Elias, Charlie Natzke, Chris Kee, Scott Beynon and Ken Owen in the small intimate studio at Slipperworld, La Honda, California in the redwoods not too far from the coast.

Songs included are: 01 – Miracles Take Time (solo); 02 – Poor Polly; 03 – White & Blue; 04 – Silver Pen; 05 – River of Dreams; 06 – Miracles Take Time (CasualTees)

These sessions were recorded to 8 tracks or less on Super Audio Center’s Sonoma DSD workstation using EMM Labs/Meitner ADC/DAC converters. They are not overdubbed. Like all my other DSD albums, this release uses the same approach of minimal micing without isolation, capturing the acoustics of the room, the band as well as the spontaneous arrangements of each song presented. These tracks range in dynamics from the sound of a full electric/acoustic band, to a pure acoustic trio (Heavy Wood!), to a solo acoustic singer/songwriter (that would be me). It’s as real as it sounds.

A PDF is included with song and concept notes by David Elias, photos by Peter Buranzon, as well as lyrics. You can get the PDF here…

What you get to hear on this release is a very dynamic side of my catalog recorded carefully at Slipperworld to take advantage of the rich spectrum of harmonics, decay, resonance and natural analog like sound captured by single bit, 2.8mHz sample rate Direct Stream Digital (DSD…and the bit goes on…). You can listen to these nuances using any computer audio gear or home/studio hifi gear supporting DSD playback. You also get MP3-320 downsamples for your smartphone or iPod.

Feel free to reply if you have questions.

Happy Equinox!  Aloha!

– DE

PS – here is what audiohile Gary wrote about these new tracks:

Miracles take time
There is a delicacy, hushed reverence  and deeply felt awe in this song, a melancholy “smiling with sad eyes” vibe. I was deeply touched.
Love that your lyrics are both accessible and enigmatic. They require the listener to pay attention and “get it” but without the struggle and off-putting frustration of completely obscure and inaccessible lyrics. You’ve always had the right balance as a poet and song writer in tuning in to this balance.

Poor Polly
Love the intro. Mysterious but inviting where an expectant anticipation is created. The ensemble playing is, as always, first rate.your voice is in a higher range which conveys a bit more anguish at being sometimes bewildered by life itself. Settle Down the Questions indeed?
Love the riffs between stanzas. To me the song is about not taking the easy way out and giving in to glib and ready answers to life’s most difficult questions and quandaries. One continues the pursuit; the struggle because one must. There is really no other way to be truly human.

White & Blue as a propulsive allure that conveys a mystery within mystery. Perhaps the passage of time with its inevitable longing and as perceived from the different vantage points of other living creatures.

Silver Pen.. I love the opening intro and the transitions. Playing and ensemble are, as always, top rank. Nothing is overdone or underdone. The tonal balance matches the purity and honesty of your singing. Pristine.

River of Dreams is very much in the same spirit of longing and remembrance of what once was but can never be again  . . . no regret . . . just sadness, longing and acceptance. Loved it.

With these last two songs, I’m reminded of several of my favorite songs of longing that make me deliciously melancholy every time I hear them. A contradiction in terms? I think not. These songs describe the person left behind and explore what draws the other person – sometimes inexplicably – to another place – like a magnetic north that can’t be resisted. These are some examples:

Bob Dylan “Man in the Long Black Coat” on Oh Mercy
Alison Krauss “Maybe” on Forget About it
Alison Krass “Ghost in the House” same CD
Joan Baez “Jesse” on several of her classic CDs

New Album! David Elias – Acoustic Trio DSD Sessions

David Elias - Acoustic Trio DSD Sessions

David Elias – Acoustic Trio DSD Sessions

It’s Like You Were There In The Studio…

David Elias – “Acoustic Trio DSD Sessions”Released 11/04/2013

Download these 14 original songs as both DSD (DSF) and 24/88.2 FLAC audio files for the price of $24.95.

You get both formats! FLAC files are hi-rez lossless downsamples that can be played by all popular PC/Mac media players including JRiver, Winamp, Audirvana, Windows Media and many others.

http://www.davidelias.com

“What excellent compositions…exceptional performances…and rich, harmonic, organic sound, as natural and mellow via DSD as one could wish…10 stars…Love it, big time” – Dr. David W. Robinson, Positive Feedback

This collection of original material from the independent acoustic singer-songwriter David Elias is a special organic, natural sounding set of pure DSD recordings created at the Slipperworld Studios in La Honda, California (www.slipperworld.net). These 14 tracks feature David Elias (acoustic/vocal/harmonica), Charlie Natzke (acoustic/vocal) and Chris Kee (upright bass, Blue Coast Records).

This Acoustic Trio session release was captured in the studio on a single day as a series of live takes without any edits or overdubs. It was recorded by Charlie Natzke to no more than 8 tracks directly to a Sonoma DSD Workstation using Meitner converters.

The essence of the performance is the ambient and acoustic nature of all the instruments and vocals including natural resonance, harmonics, decay, and microphone bleed and decay using minimal micing without any artificial or digital effects.

Acoustic Trio DSD Sessions” was recorded on a sunny day among the redwoods with the windows open. The musicians recorded standing roughly arms length from each other in a small circle with no isolation. A pair of microphones were positioned overhead to capture a stereophonic image of “the room”. This was used as the only source of natural reverb in the mix.

The songs were mixed as DSD using a Sony mixer card in the Sonoma workstation. These tracks have never left the original DSD format, even as analog conversions for mixing!

As a result, what you hear from these pure DSD master recordings are the natural live performances of the trio, as if you were standing or sitting with them in the studio during the session.

Songs: 01 – If I Had My Way, 02 – Ohlone Dream, 03 – Above The Creek, 04 – Crossing, 05 – Changing Down, 06 – Take Me Down The Road, 07 – The Riddle Song, 08 – Rodeo On A Ridge, 09 – Summer Wind, 10 – One More Savior, 11 – Good Old Days, 12 – Vision Of Her, 13 – Transcendental Deprivation Part II Straw Dream, 14 – Morning Light Western Town

David Elias began recording to DSD in 2000 using a similar minimal microphone setup directly to the prototype 2-channel Sony SACD Project DSD mastering/archiving prototype workstation. Working with Gus Skinas (www.SuperAudioCenter.com) he went on to record live studio performances with a large acoustic band to 8-tracks in 2002. This resulted in the landmark independent hybrid multichannel SACD “The Window“. The followup award-winning SACD “Crossing” was released in 2005. Both SACDs received the coveted “Brutus Award for DSD Excellence” from Dr. David W. Robinson, Positive Feedback.

These and other DSD Downloads are available from his website at www.davidelias.com as well as from www.SuperHiRez.com and www.HighDefTapeTransfers.com.

David Elias - DSD Pioneer - Bio