Tag Archives: hi-res

Try TIDAL’s offer for 90 days – Hi-Res, MQA Masters streaming to your desktop

Want to try MQA Masters for 90-days? TIDAL has a free subscription trial (you have to cancel to avoid paying after 90 days). Once I signed up I went to the Account and upgraded the subscription to the “HiFi” version. It says $19.99/mo but under the trial it didn’t charge me for the upgrade.  I then actually cancelled the subscription so it wouldn’t charge PayPal after 90 days. I can always sign up later again and start paying :)

http://tidal.com/us/lemonade-offer

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[NOTE: If that 90-day offer special for Beyonce goes away here is there standard trial signup page for 30-days trial: http://tidal.com/us/try-now-b  — Select the trial for the HiFi-Masters program on the right. ]

Then download the TIDAL player from here — you need the desktop app to stream MQA masters (it says the Chrome browser will do it as well but I didn’t try that).
http://tidal.com/us/download

Choose the browser app (leftmost) to allow Master MQA playback from your computer.

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Once you are in the player you can find MQA under “What’s New” then scroll a page down and you’ll see “Masters” (I highlighted in yellow) in the center of the screen. Choose it to get to the MQA mastered titles. Then you can choose “Show All” to view all the albums available. I have quickly picked over 500 titles (choosing entire albums) and 36 hours of music to try this.

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If you have an MQA DAC (Meridian, Mytek,…) you can choose “Masters” again in the lower right corner of the player to popup the setup. You can pick your MQA DAC if it sees the driver. If not, you can use the TIDAL app to decode MQA within its limits whatever they are.

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In order to use my Meridian Explorer2 I also had to hover over the driver name then pick the Gear icon setup that allowed me to set the player in “Passthrough” mode which means it hands the audio to my MQA DAC for decoding. I prefer this because it supports up to 24/192k which I see for example on James Taylor’s “Mud Slide Slim” album playback. Amazing! Also choose the “Exclusive Mode” option too as a suggestion.

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I bought that LP when I was little more than 10 years old. I still listen to it a lot. Wore out a number of vinyl copies over the years. CD versions of this are never good at all, but the MQA playback at 24/192 streaming from TIDAL (all 3 LEDs and Blue Light) is incredibly good!

I added titles in my playlist from Joni, Jethro Tull, Sabbath, The Dead, Tom Petty, Emmylou Harris, The Band, Jackson Browne…many others. They have some great stuff up there already. I then added Mott The Hoople, Todd Rundgren, Bowie, Dwight Yoakam, Mudcrutch, Mark Knopfler, CSN, Doors.  All albums, not songs. I’ve heard some of these CDs with distaste for decades! They sound great through the lossless streaming on TIDAL. What more can I say.

I have a slow Internet sometimes and buffering (stutter) has been a bit of a problem but when the skies are clear, the sound streams fine. This is a great way to try MQA masters lossless quality online without buying any new gear as the TIDAL player will decode the MQA for you. There may be advantages to having your own DAC at some point but not required… Enjoy!

Aloha! – DE

MQA – When Two Faced Is A Whole

I’ve come to think of MQA as two completely different faces in one container. This appears to be fully misunderstood by many.

On one hand MQA is a time coherence correction tool that makes quantum leaps in restoring the ambient synchronization of frequency and location arrival of sound to the listener. It does this with both analog recording ADC and playback DAC knowledge applied to remove pre- and post-ringing echoes that typically create huge miscues to the listener’s ear on what was played when, and from where in the room on the recording. These miscues are cause for endless fatiguing analysis and corrections done by the human ear which is monumentally sensitive to timing and location, much more so than to pitch (frequency) itself.

The other face (unrelated entirely) of MQA is its ingenious methods of folding hi-res recordings (up to 24/384kHz) to nothing greater than 24/48kHz in any lossless PCM format including the popular file compressed formats of FLAC (PC) and ALAC (Mac). This allows the full spectrum of sound and air/harmonics to be restored on playback by MQA enabled DACs using little more than, or even less than 1mbps bandwidth on transport and delivery to the DAC.

Folding is 100% lossless with regard to the noise floor in the recording. No ambiguities there whatsoever. The fast (compressed) delivery of the data reduces the time and space required to allow quick and easy transport over Internet for downloads or streaming as well as on standard CD capacity disks. This is almost 20x smaller than the data/bandwidth footprint of a WAV or AIF hi-res PCM download at 24/384k and the popular DXD (24/352.8k). The latter monstrous file sizes prohibit downloads for almost everyone and streaming is not possible at all. MQA solves this problem with 100% bit perfect accuracy in a package almost 20 times smaller on delivery.

So MQA’s two-faced solution restores an edgeless natural enjoyable ambient sound to PCM masters at any resolution by removing brickwall filter imposed edges as time smearing. And MQA delivers in a package (PCM format) that fully accommodates all known media requirements for users including (I hope!) future wireless lossless full resolution transmissions.

All this is done with full portability by the user to any and all media devices for playback including non-MQA equipment. CD ripping and format conversions (e.g., between FLAC, ALAC, WAV, AIF) can be done by anyone at anytime with the full preservation of the MQA encoding. Royalties are paid by the sources (record labels, MQA compatible equipment mfgs, streaming services) not unlike CD, Dolby, DTS, and many other popular digital audio technologies used by the recording and film industries for many decades.

What’s not to like?
– DE,  http://davidelias-mqa.com

Take 30, or Get 55…Happy Holidays

You Came To The Right Place…

Happy Holidays!

Aloha to All – Wishing you the best with a 30% Sale on all titles through Christmas.

Use this Promo Code when you purchase:  TAKE30

The Catalog for PCM downloads is here:  http://davidelias.bandcamp.com

Remember that these MQA encoded files will play through any software media player or burned to a CD!  The sound quality is very good to me and many others at this point no matter how they get played.

You can also download my entire PCM catalog below online (19 albums/titles) for a 55% discount.  Just select that option from any of the album pages you click on. These are the PCM/MQA Masters only, not DSD.

Entire Discography of DE Masters (19 titles) at 55% Off

Buying albums/tracks on Bandcamp also entitles you to stream the same tracks from a web browser or smartphone forever from the Bandcamp page or smarphone app with surprisingly good quality too.

About MQA – Hi-Res
My hi-res tracks gets unfolded up to 352.8k by an MQA DAC.  But the DAC isn’t required to play the hi-res files (SACD gurus think of the hybrid layer, it acts in a similar way).


Just be sure to choose any of the Bandcamp “Lossless” formats: FLAC, ALAC, WAV or AIF.  That’s it.  It plays no matter which you choose. You can also download any format anytime on titles you’ve purchased.


You can send these as gifts too…choose the “Send as Gift” link.


Mele Kalikimaka!  Be Well!

DE

David Elias - CD and Hi-Res Catalog - 30% Sale

$7 Hi-Res Album Download – Lucky Labor Day Sale…Aloha Lester

Lucky $7 Sale – Aloha to Lester…

We were quite lucky in Hawaii this Labor Day weekend with the oncoming Cat 4 hurricane Lester (2nd approaching in consecutive weekends) when it chose (with Pele’s urging) to move north and bypass all islands. Here it is as of this morning. Bad ass!

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I have a Lucky $7 album download price on all of my hi-res albums that are now encoded as PCM using MQA to improve the PCM sound quality as well as reduce the size of the files you download.

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Here’s the deal – When you buy any of these album downloads online at http://davidelias-mqa.com you can checkout using the “code name” below to get 70% off. That will adjust the price of the album to $7.

 David Elias - Labor Day 2016 $7 Hi-Res Album Download Sale

These are all hi-res! If you have an MQA DAC today it will unfold the Studio Authenticated MQA hi-res audio above 24/44.1 (up to 352.8kHz) and play it.

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If you don’t have a MQA DAC today, you can still play these great sounding recordings on any player you have (iTunes, smartphone, JRiver, Audirvana, Amarra, foobar2000). If you get the MQA DAC later or it becomes available in the player you are using later (based on whoever makes the media player adopting MQA) it will unfold the hi-res at that time.

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Either way, you can download the albums for $7 now until midnight (UTC which is Greenwich Mean Time) on Tuesday September 6th.

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Use the code above (like: labor2016sampler) for the album you are buying and it will discount the price by 70% which will be $7.

$7 Sale Labor Day - David Elias Hi-Res album download

You can checkout using a credit card or PayPal account, both are secure encrypted by PayPal.

 (“Name Your Price” is an option as well, up to you or leave blank to keep price at $7.)

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When it comes to actually downloading the files make sure you choose one of these formats (click the dropdown arrow to see all the choices on download): FLAC, ALAC, AIFF, WAV.

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I recommend FLAC which is the original master uploaded. MQA works fine in the 3 other lossless formats as well but keeping it as FLAC is the simplest I’ve found in a few cases.  Bandcamp lets you down any or all of the formats it offers so you can try more than one. If you want an MP3 copy for your phone or whatever that’s ok too, just be aware it won’t play as MQA authenticated.

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The other nice thing here is that Bandcamp allows you to stream the albums you buy forever after from the website page — or download their smartphone app (iPhone/Android).

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Mahalo to All and Happy Holiday – anywhere you go, you always take the weather :)

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~ DE

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(questions reply to this message and I get it, no one else does)

Getting Back to the Source…Back in the room with MQA

The stereo mixes I’ve done for everything always use “the room” in the mix which is usually largely based on 2 or more rear wall mics capturing those reflections at “the source” (ie the wall) as well as high up (ie, the ceiling).

So I mix the stereo as well as multichannel using those tracks (2 stereo or sometimes 3 with 1 mono). In that way I avoid having to use artificial reverb and delay which is so commonly used (both analog and digital versions of these) in studios that most engineers/producers don’t think twice about it.

By using ambient sound in the mix to bring back the natural reverb and delay (slapback sounds from the wall vs the stage) I can recreate a very authentic reproduction that has nothing artificial added.  Just EQ and panning (right and left) during the mix to restore the original sounds and locations in the room.

I started doing this on my own on my very first CD in 1995 (Lost in the Green). I went on to record several other CDs in that fashion through 2001 with Half An Hour Away which I recorded myself in an acoustically beautiful small performance theater in Half Moon Bay on the SF Coast on Hwy 1. Me and my trio at the time (Gary on flute/tenor sax, Lisa on mandolin) played live in the otherwise empty hall for about 4 hours one afternoon with (local fan) director Michael’s permission.  I had mics in the audience front rows as well as back at the high seats in the rear wall row. I mixed the 8 total tracks to stereo analog and printed it.

Within a year or two I was planning and then recording “The Window” to DSD in a fancy studio in Boulder using the same approach. They (local engineers) said I couldn’t do it and shouldn’t try — putting all musicians in the same room without isolation (no real traps between musicians!) and creating the live session with as few mics as possible in the room. But I said we should try it just to see what happened so they shrugged and said ok……..  rest is good history for me :)

I think (my ears tell me) that MQA is exactly what was needed to round out the edges imposed by PCM which is how I recorded and mastered those original CDs. It is the coup de gras for returning the original ambient sound characteristics of the room and performance.

– DE

4 MQA Songs to Try (1 Free) – CD to Hi-Res

Introducing you to MQA with 4 songs.

UPDATED Jan 18, 2017
These 4 songs now download for $4. There is 1 free track available
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Here is how MQA Ltd. described me in their newsletter this week (emphasis is mine):

MQA Artist Release
Sound quality has been a driving motivation for singer-songwriter David Elias since he started recording his music digitally more than 20 years ago. On listening to some of his earliest recordings encoded with MQA, David noted, “The original intention and sounds are much more accurately represented [with MQA] and are therefore much, much more enjoyable to listen to. The convenience of MQA’s smaller file size is an additional no-brainer.” 

This paragraph says a lot for me because I’ve lived with CD and its problems with sound quality as long as everyone else. In fact I had no CDs long after many did, sticking to vinyl and even my own mix tape cassettes (analog ruled) for years after the CD deluge. It sounded better. I liked album covers. What can I say.

I broke my teeth on CD quality recording in 1995 making my first CD in a home studio setup. I recorded to Hi-8 Video Tape at 16/48 on an 8-track Tascam DA-88. I’d recorded myself at times on various tape machines and a few digital boxes for almost 20 years but this was much different.

I listened to a lot of everything I put on tape through that whole process of recording, mixing analog (lengend original Mackie 1202!) to 16/44.1 (Sony TCD-10 DAT) and then mastered on a DyaxisII Workstation. It sounded good and in fact better in the studio than on the final CD that was printed.

Those early CDs and many later recordings were either created or converted to PCM to be moved online one way or another. All my released songs are on YouTube Music now for example, as audio, as well as lots of other places, like 50 or more. The more they travel in the Etherspace the worse they sound generally.  They get downsampled and converted into whatever suits the retailer or streaming radio like Pandora (one of my least favorites for sound quality).

But shoots, I want to get heard…otherwise I wouldn’t put music I write out there in the first place.

Enter MQA… I started listening to it in February on hi-res converted music from 2L in Norway. Classical works. I knew some of them from 10+ years prior as SACDs I had actually been given by Morten Lindberg there. 2L put MQA converted masters (DXD conversions which are PCM at 24/352.8) online to try as well as other hi-res formats. I was using a Meridian Explorer2 MQA DAC connected to my Dell Windows 10 notebook running the latest JRiver.

All I can say is I didn’t hear anything I didn’t like, and in some cases heard some things I really really liked.

So I started listening to other MQA encoded tracks. MQA is not a new audio format. It is still linear PCM, just has its own corrections (aka filtering) applied to the encoding of the music.

 What I started paying attention to more and more and hearing more and more were the timing coherence corrections in the playback. What PCM has always done to my ears, along with countless others, is present a very sharp unnatural edge to the sound that can get worse for me the louder or harder the music is played. It doesn’t flow like vinyl, cassette, or DSD. Usually it kind of attacks quickly, then disappears. It’s not relaxing, let me put it that way.

MQA encoded tracks I listened to had lost much of that sharp attack, no decay characteristic. They were well presented and much easier to listen to. They positioned things more clearly in the stereo space noticeably including the front and back locations in addition to left and right. The soundstage was then more 2 dimensional with depth as well as 3 dimensional with up and down.

This listening started with a lot of music I didn’t know, yet I was happy to listen to it with open ears so to speak.

Over the next few months, I decided I wanted to hear some of my PCM recordings as MQA and started making inquiries as to how I might do that. In the end, I became an MQA artist partner and have converted my catalog and archives to MQA encoded PCM.

I’ve actually had most of my catalog online as PCM on the Bandcamp site (http://davidelias.bandcamp.com) as CD quality up to 24/88.2 for a couple years now. Now most of that has been updated to download in the smaller FLAC or ALAC MQA encoded files.

Overall, MQA sounded better to me than any CD or hi-res PCM master I had. It doesn’t need much more proof to me. I have read a lot about the “what it is” and “why it works” to understand that better, but after my intro through reading and some YouTubes, I just started listening a lot. I still am.

What About The 4 Songs…  The first album on the page at the link above is a free download. You can also stream it as much as you want. Bandcamp lets you download songs in a variety of formats. The default is MP3.  Don’t download it as MP3! 

MQA requires what’s called a lossless format — The 4 big lossless formats being used out there are the original WAV (PC) and AIF (Mac) and their file (not audio) compressed counterparts FLAC (PC) and ALAC (Mac).  Choose one of those when you download from anywhere no matter what the site or music! It is not missing some of its music from the original like MP3!

FLAC and ALAC are roughly 1/2 the size of WAV and AIF. They sound identical and are better at carrying the magic metadata or tags that include all the song and album info for the media player to display when playing the track.

MP3 and Apple’s AAC use math to remove audio data in an original CD or hi-res audio master to make it a much smaller file (in general about 1/10th the size). That was the strategy from the beginning when everyone was dialing up the Internet on modems. It made sense then as one didn’t want to stay online for hours or days to download an album. Apple cemented that approach since iTunes Store came online in 2004. How long will that go on? As long as people buy it I guess.

 Excuse Me, What About The 4 Songs…  Ok, I have a lot of MQA encoded music I am really kind of hearing for the first time myself. This includes both very good and some not so great recordings (like live public hall stuff through a single $99 Sony stereo mic to DAT).

Most of it got created as a PCM recording. The MQA encoded versions of these tracks changed how they sound to me and took me a lot closer to the original performance whether was studio or live stage. It sounds more like the sound in the room at the time and what was played and I am relaxed when I listen to it because of that.

Go here and try 4 songs at 3 different PCM resolutions, all encoded as MQA

https://davidelias.bandcamp.com/album/mqa-track-sampler-any-player-works-1-free-track

If I went into too much detail this email might get long :)

Here’s the (short) not so fine print:

1) If you have an MQA DAC you can hear the full resolution up to 24/352.8 or the limits of your MQA DAC.

2) If you don’t have an MQA DAC you can just play it anyway at 16/44.1, 24/44.1 or 24/48 depending on source track

3) If you get an MQA DAC later (or the media players do it for you) you’ll hear the hi-res then

 The song audio resolutions range from CD (16/44.1) hi-res (24/96) to DXD (24/352.8). They are all only about as big as a CD file to download (about 700MB), maybe a little bigger.

CD’s sound better as MQA to me with or without the MQA DAC gear. You can just play them. I’ve had different people tell me the same thing about my stuff. So far I have heard its biggest benefits on the lowest res recordings. I might even know why.

If you have questions you can reply to this email, it just comes to me…I hope you try downloading the tracks. If you have an MQA DAC, don’t stream them, download them!

Thanks For Listening!

DE
http://www.davidelias-mqa.com (MQA Downloads)
http://www.davidelias.com/dsd_downloads (DSD Downloads)
http://youtube.com/davideliasvideo

David Elias MQA 24/352 Masters

MQA = Master Quality Authenticated.

Maybe you don’t keep up on this stuff. I don’t always either…But MQA has been something gnawing at my good sound quality curiosity for awhile now. It is a mysterious (to some anyway) approach to getting better sounding audio from just about any source including typical downloads (compared often to iTunes), streaming (compared often to Pandora) and even CDs (compared often to “the industry”).

So… enter MQA, not anytime that recently, as they (MQA Ltd. spun from Meridian-Audio.com) have been at this research and development for some years now.

My short version is:

Yes, in order to get the hi-res unfolded benefits of MQA encoded audio files you need a DAC that is MQA enabled. There are a few for sale out there now.

Yes, MQA is being supported by some large streaming providers including 7Digital. Others with interest may follow.

Yes, MQA might eventually be deployed in software media players so the need for DAC compatibility could become optional.

Yes, MQA folds the hi-res audio data such that the transport of the data whether streaming or downloaded as a file is a much smaller image than what hi-res files cost today in bandwidth. MQA is always not much bigger than a normal CD to download or stream. But you can get the big hi-res unfolded quality when you play it! If you don’t have the MQA DAC, it still sounds good and is playable on what you might have today.

Yes, MQA playback can sound a lot better to my ears than what I usually hear from PCM masters. The biggest improvement in my unlearned opinion comes from what is referred to as a reduction in the temporal or time blurring of the playback. There is a better focus and location of each instrument in the mix. It is also a more relaxed, natural sound losing some of the PCM edge that I have become pretty sensitive to picking up over the years.

It is more ambient and to me, more DSD-like. It is also more 3-dimensional. I described it to an audiophile friend as a pyramid of sound with the point of the pyramid pointed slightly towards the listener, not straight up in the air. So the image of a band performing the song came to mind very readily, with the back edge of the stage raised and tilted slightly towards me.

So I developed MQA masters of my hi-res albums and my newest CD release “Rare To Go – December Solstice” to allow easier and faster downloads of my masters to be accessed by those who are not especially interested in DSD, or just are maybe just especially interested in MQA or better sounding PCM masters.

Trying to download a 24/352.8 audio file is a “good luck” proposition normally. But MQA allows this to be easily done where the total album is still just around 1GB of data. That’s it.

However the playback sounds excellent with an MQA DAC in use. I am using the Meridian Explorer2 which retails for $299. It does not play DSD files, just PCM at all bit rates.


My MQA Promo…Go here for 2-for-1 MQA downloads…

If you are listening to MQA today and want to hear how my albums sound with that encoding, I will give you a free title of your choice when you buy any of the four 24/352.8k releases: “The Window”, “Crossing”, “Acoustic Trio”, “Coffeehouse Playlist”.

It’s Memorial Day Tomorrow! You can get the Buy 1 Get 1 Free deal until May 15, 2016

If you have questions about MQA feel free to reply to this message, it just goes to me.

I have been working with MQA Ltd. in the UK on getting my DSD masters converted to DXD and then having the PCM masters encoded as MQA. All the work was done by MQA Ltd. and the results have been very and sometimes surprisingly excellent.

I like good sound. If it sounds good, it is good. I don’t have to go too much beyond that for my own sonic barometer. Good job MQA.

I’ve always maintained that DSD is the magic sauce behind many many great sounding recordings and master tape transfers. That’s still 100% true to my ears. How can it be delivered through PCM channels including streaming? The hybrid SACD was and still is a good but only partial solution with the Redbook CD layer.

But what about hi-res DSD conversions as well as native PCM hi-res masters at 24/96 and above?

PCM needs help.

Large hi-res file downloads (DSD and PCM) need help saving time and the ISP’s gigabyte limit for many.

Streaming needs help sounding a lot better than it has from most big sites.

Regular CD download quality needs help sounding a lot better than it has since the beginning, especially when it’s in the form of lossy compressed formats like MP3 and AAC from iTunes, but even as it’s delivered on a typical CD.

MQA helps… Mahalo!

– DE

Tired of Poor MP3 Sound?

Revelation Station - $599

FREE DSD album download!
David Elias “Coffeehouse DSD Playlist #1” with all orders for the Revelation Station ~ Bestselling DSD Download Tracks

PayPal is Secure…$599 + shipping – U.S. orders only

Buy Now Button with Credit Cards

 

Revelation Station without Headphones….$499 – U.S. orders only

Buy Now Button with Credit Cards

Brought to you by Rev9

The Revelation Station setup - you provide the iPhone

The Revelation Station setup – you provide the iPhone

Rev9 did the research and the careful listening. We were interested in solving the problem of getting really good sound reproduction from audio files into a portable setup that anyone could use whether they were at home or elsewhere.

We found the solution… We call it the Revelation Station.It is a Hi-Rez Kit for your iPhone, brought to you by Rev9.

  • Pro quality DAC supports DSD and all HRA PCM bit rates
  • Pro quality headphones capable of delivering great music
  • Connectors for iPhone / DAC
  • iPhone app HRA player supporting DSD and PCM
  • DSD album download “Coffeehouse DSD Playlist #1”
  • Shipping USPS Priority Mail with Tracking (US orders only please)
  • ….kid gloves for the “how-to” when needed….

It is a handheld or pocket friendly portable configuration for anyone with an iPhone iOS7 that likes to listen to music. We have selected small but professional hardware components and the best software available to allow any type of audio file to be played with outrageously good quality to your ears.

DSD download files, our Holy Grail of sonic bliss are supported in the Revelation Station configuration. So are all other PCM formats of tracks you have already downloaded and are listening to.

This plays from the iPhone but doesn’t sound like iTunes sounds…If you are tired of the poor sound of MP3’s and AAC’s you are ready for the Revelation Station.

PS – Don’t worry – we’ll help you set it up if you need us.

Amarra – Sonic Studio’s amazing audio engine for iTunes

Easy Apples…

If you are an iMac or MacBook or Mac Tower user and like iTunes but have been wondering what you might do to get better sound out of it, or how to support hi-res formats that iTunes does not, check this out.

Amarra – The Purist Music Player

From Sonic Studio, Amarra is a software app that can install and link to iTunes on a Mac OS X computer. By link to iTunes I mean Amarra will run along with iTunes and take over the playback of your audio tracks whenever it can (which is most of the time). You can also create playlists in Amarra itself and run it without iTunes.

What you hear as a result is a much better quality playback than what you are used to hearing because the audio engine (for playback) used by Amarra is far superior to iTunes.

It’s that simple even though 20 some years have elapsed since Sonic Studio’s technology started being used for professional mastering and playback in major studios for CDs and films.

You can get the benefit of their hard work boiled down to a very simple and spiffy app called Amarra. Here’s how they describe it:


Deep, analog, natural, and musical; these are words we hear our customers use when describing their Amarra listening experiences.

With Amarra, you’ll have many “OH WOW!” moments even with tracks you’ve listened to for years. That’s because Amarra enables your music to sound the way it was intended to be heard – beautifully.

If you’re looking for the best sound, try Amarra in your system.


MY HAPPY OFFER TO YOU – Save 50% off Amarra

If you buy any of my HRA/DSD64 + FLAC 24/88.2 download albums “The Window“, “Crossing“, “Acoustic Trio – DSD Sessions” online at http://www.davidelias.com between now and Memorial Day, I will send you a link/coupon that allows you to buy Amarra for about 50% off the $189 retail price. It’s then only $99 for you to buy and register Amarra.

To those of you who know me as a PC guy, the answer to your likely question is: Yes I’m using an iMac at home and it has the lastest Amarra player version 2.6.

Feel free to email me with questions…contact me here

I like good sounding music and here is as much a no-brainer to that end as I’ve ever heard. I also have tens of thousands of songs in iTunes which I’ve been hearing for a long time… Amarra gave them all a new life for my ears without having to do more than install it.

Aloha,

DE

new beginnings … 20 years in the making

With the 2013 Autumn Equinox, I am releasing a collection of recordings that was made about 20 years ago. It was the beginning of my work as an independent acoustic artist in the SF Bay Area. I began performing my original songs back then in a retro solo coffeehouse style approach to live music.

I also began recording at my home studio with the encouragement and assistance from Gus Skinas and Roger Powell who helped set me up with gear (which included a nice 100-year commemorative Gibson Gospel guitar!). I recorded to Hi-8 video tape on a Tascam DA-88 8-track PCM 16-bit recorder at 48kHz. Gus loaned me 3 very good mics which was probably the biggest quality influence on the whole setup.


… A CDBaby is Born …

Those are my beginnings as a DIY musician and the first effort yielded my first self-released CD called “Lost in the Green” in 1995. A few years after that I found out about a brand new online retail outlet called “CD Baby” (what a name!) for independent arists.

I had 2 CDs released at that point (“Time Forgets” was recorded in 1997 and released in 1998) so I called Derek Sivers in Woodstock, NY who in 1998 had started this brainchild of hanging anyone’s self-made CD in his storefront window and letting the artist control 100% of everything about the sale through their online account.

This included the retail price and all the info about the release. It could be changed by the artist at any time. Derek provided the warehousing of the inventory and did all the online transactions with Visa/etc. and shipped the package to the customer. Then he told the artist about it via email and kept the history of the transaction online.

To this day, I can look up the first CD I sold through CDBaby online in about 5 or 10 seconds. That’s 15 or more years ago! CDBaby has not changed the price it charges to provide their service to me ($4 per disc no matter what the disc retails for).


 … Getting Online … Slowwwwwly ….

At this point, in the 20-year horizon of how I was encouraged to produce my work and find my way into the Internet and DIY music, I looked back to the first recordings I made. This was all before CDBaby, before iTunes, before Hi-Rez, before Napster, myspace, Dreamweaver, DSL and cable modems, and lots of other things I gratefully forgot about…

I was staying up late nights into early mornings writing HTML in a Notepad text window and uploading it to my account with Netcom.com out of San Jose, one of the first ISP’s in the Bay Area. I didn’t have a domain name of davidelias.com. I didn’t think I’d need one…

But I did use the Alta Vista search engine (no Yahoo! or Google yet) to find the web sites and playlists for public and university folk and country radio shows. In the days of 19.2k, 33.6k dialup modems that everyone had, there was no streaming of music online.

You could upload and download mp3’s and then play them through things like Winamp (which I still use sometimes) but the radio stations weren’t part of that. What they did was show you the programs they had scheduled and the playlists of what went out over the air in recent shows by the different DJ’s. (They were using the web to try to push you to the air waves!!) They often had email addresses for their staff.

So I started emailing those DJ’s who were playing songlists that I felt my work would fit in with. I let them know what I was doing as an independent artist with a web site, writing, performing and self-producing CD’s and asked them if I could mail them a disc to audition for their show. They usually said “Wow – you must be crazy and when do you sleep and sure send a disc to me”.

I could then track my work appearing in shows in the US and other places as far away as Hong Kong. I maintained my web page by hand and added radio info and pictures and mp3 downloads as time went by. There were very few rules as to the “right way” to do things…This was still quite a ways off in the future…maybe it still is…

MP3.com went online in 1997. It let anyone upload their music to the web to be accessed by the universe of listeners, many of which were also artists. I was in heaven!

I don’t remember any other artist songs as covers or copies like the YouTube of today. I remember all this original music. Maybe I’m glorifying it, I don’t know.

Before too long there were a million songs online at MP3.com from independent artists like me. By 1999 MP3.com went public and all the artists online there were offered an IPO price on some (small) number of shares of the stock. Good times!

A shared music platform with free exchange of styles and motivations. Too good to be true? Yep…MP3.com produced some very big rumblings in the record industry that was sitting back watching music being given away…. lawsuits and the rest followed as MP3.com departed. (It first got locked in a drawer by Vivendi, then went to CNET and exists today in another form.)


… Napster (free) … iTunes (not!)  …

In the wake of MP3.com, Napster and others, there emerged a new unfolding of the retail motherlode of digital downloads…iTunes. I had been online almost 10 years with free MP3 music downloads at that point.  But suddenly there was this very huge RETAIL thing looming in front of the independent artists. CDBaby took us (lowly unsiged artists) to that front door, and all the other OMD doors…

Since then, iTunes has sold some 28+ billion downloads…that’s a lot of noteworthy hamburgers so to speak…CDBaby is the Online Music Distributor (OMD) of my catalog to over 50 download retailers including Spotify, Rhapsody, Amazon, Napster, MusicMatch, EMusic and last.FM. There are over 350,000 albums on CDBaby alone (2+ million songs!) that can be purchased as CD and/or downloads right there.  That’s just CDBaby, that’s not iTunes!  You want to make a living as a musician with some songs recorded?…uh you have a few competitors out there…

MP3.com proved that there could be a huge music community of artists and listeners using the web as a conduit for the exchange of music. MP3.com was visionary in this regard. they were ahead (meaning occured before) things like Ecommerce and ad-supported web pages. But they didn’t charge anyone anything to post music or to download music. It was just about the music for them, or so it seemed anyway. I, and I think millions of other people as artists and music lovers, liked that a lot.

Steve Jobs saw and seized the opportunity… iTunes became the vending machine for delivering music to a BUYER not necessarily a LISTENER. People who were involved in the approach (software) used to encode and compress the music files as MP3 were not necessarily happy with the resulting quality of the recording compared to the original. But modem speeds and expensive disk drives at the time were both catering to smaller files to download.

So iTunes jumped on the wave and created what I still think is one of the best media manager software packages out there. I spent years telling people that if they wanted to just catalog their CD libraries they could download iTunes software for free and do just that and play the music from the computer (or send it to their stereo system) or iPod or iPhone if they had one, and never buy a single download from Apple.

iTunes lets you rip CDs to WAV (if you change the settings) so the CD and resulting digital file sounds are identical. I don’t think most people understood how useful that was and still is. You can also sequence songs you want and easily burn a new CD with the same audio quality.

Newer software that can also play DSD now exists so iTunes hasn’t quite the same clout that it did…Still most media player software integrates WITH iTunes, it does’t try to REPLACE iTunes. Talk about market share…

What iTunes also did however, was assign a value ($.99 to be exact) to each song on the web. What a concept that Jobs had!  So free music became less interesting to a whole lot of people on both sides of the equation from then on.

The record industy had its serious competition forevermore; music lovers had to start being more judicious (mainstream?) about their choices of music; and starving artists (or some version of that) got this new gleam in their eye that said “hey if I could only put the right song up on that iTunes I could probably make….”).

Also In the wake of iTunes came a host of new challenges and opportunities, all of which I managed to get tangled in without a lot of guidance because most people didn’t know much about the How-To either.

Some were quite fun really as technology got kind of bolder on the desktop and then notebook then notepad computers. (Today I’m using an old iPhone as my portable tablet!) Plus I’m a persistent type so I don’t mind doing the research and experimenting for my own education.

A memorable list of emerging technology for music during those times is: webcasts, podcasts, live streaming broadcasts, highly stylized and customized media players, standardized media players and eventually videos.  Most if not all of these are still around.

So the waves of independent artist music grew large and poured out over the web, with me right in them.

Derek Sivers has since sold his CDBaby business (2008) which had grown to include HostBaby (where I’ve hosted my web site since he started that around 2000 I think) and other things. But the mechanics of how CDBaby works are the same.


DSD Wobbles Around and Then Sits Up Straight After 10 Years or so…

Time sure did race by… Now in 2013 I am 20 years into being an independent artist and also 10 years into the creation of the planet’s first independent (unsigned artist) hi-rez SACD recorded and mixed for stereo and 5.1 surround sound.

I made “The Window” available as a DSD Disc (stereo DSF files) download in 2009 – another first – to anyone interested in accessing hi-rez over the web as opposed to on an SACD disc. These were mostly being played on some of the 30+ million Sony PlayStation3’s out there that supported DSD Disc.

This same format (DSD as DSF / DFF audio files) was just this month, 4 years since my DSD Disc release, announced and embraced by Sony as part of their new High Resolution Audio (HRA) campaign that encourages DSD Downloads. Good friends to have in the DSD Download market!

You can read about their initiative through these links

http://www.usatoday.com/story/tech/personal/2013/09/03/cea-to-tout-high-resolution-audio/2758871/

http://www.cepro.com/article/sony_releases_8_hi-res_audio_products/

You can now also find my released DSD recordings online with the record label DSD Download crowd online at http://www.SuperHiRez.com — there lots of press and buzz about this:

http://www.positive-feedback.com/Issue68/hi_rez.htm

I’m just happy that there is a (rapidly?) growing community of artists, producers and labels that care about how good their recordings sound.  They (Sony and retailers) might say it’s because their surveys say that the market wants good sound, but I think they have to want good sound as much or more than anything else… let it happen!


Independent Acoustic Roots…

This new release is where I started with this world-connected music. I’d already been playing guitar and performing my songs for 20 years (I know, I know…). But that’s another story. Everything changed with the digital technology that enabled DIY CDs to be created and web connected communities of art started flowing into retail pretty quickly.

So here are 16 songs that are from the Big Bang of my Independent Acoustic DIY universe as a singer-songwriter. Playing guitar is one of the things I’ve cared about my whole life as a young guy then young student, then young adult then … what am I again now?

It doesn’t matter. Music is timeless. You can find the track downloads online at www.davidelias.com right now.  They will be online at iTunes and the rest of the web download machine any day now. “Lost in the Green” never made it to iTunes for personal and then some bureaucratic reasons. So adding this release to my catalog on iTunes and the other download sites helps complete my story online for Independent Acoustic.

Thanks for Listening and thanks to all those who have helped and encouraged me to be Independent along the way.

Enjoy the change of season with the Equinox.  9/22/2013…4:44pm EDT


About the new release…

Independent Acoustic Roots — these are solo acoustic bare bones performances, original mixes. As a result there is only one overdub on these tracks. Calvin McElroy plays mandolin with me on “Season of the Fall”. John Caulfield added his fiddle part to “Time To Sleep Corrina” as an overdub.

Some of these tracks were used later in multitrack mixes for the release of “Lost in the Green“. Some were unreleased. 4 tracks are written by Townes Van Zandt and recorded during the same time in 1994. Only two of these appeared on “Lost in the Green”.

 1. The Great Unknown (David Elias)
 2. Season of the Fall (David Elias)
 3. Dollar Bill Blues (Townes Van Zandt)
 4. Lost in the Green (David Elias)
 5. Time to Sleep Corrina (David Elias)
 6. May People (David Elias)
 7. Field of Wood (David Elias) *
 8. Nothin' (Townes Van Zandt)
 9. Every Hour, Every Day (David Elias)
 10. Eye on the Wind (David Elias) *
 11. Mainland (David Elias)
 12. Hair of the Dog (David Elias) *
 13. Rows, Desolation & Angels (David Elias) *
 14. Stormy Early Warnings (David Elias) *
 15. Waitin' 'round to Die (Townes Van Zandt) *
 16. A Song For (Townes Van Zandt) *

* Does not appear on “Lost in the Green”

“Independent Acoustic Roots” is online at http://www.davidelias.com


   16 acoustic tracks from the DIY digital dawn... NEW Release! Original Acoustic Tracks from 1993/1994