Tag Archives: hi-res streaming

Streaming Hi-Res… “Crossing”

Something I’ve wanted to do for a long time…

https://store.cdbaby.com/cd/davidelias24

David-Elias-Crossing-1400px-MQA

…is present high fidelity recordings of my stuff to as many people as possible. In the past this has been done using special gear which used to be a lot more expensive than it is today but still requires quite a bit of knowledge and interest in buying and setting up hi-res fidelity.

Today that has improved because they are ways to stream hi-res that don’t require any special hardware at all. I’ve been an MQA partner (artist/content) for over a year now and released a lot of 24-bit downloads of my work.

Now for the first time I have a streaming 16-bit CD version of the hi-res that will soon be on TIDAL and 7Digital/Onkyo as well as Deezer as remastered MQA. This was folded from the 16/352.8kHz DXD remaster.

On TIDAL’s HiFi subscription ($19.99/mo) you can hear full MQA masters and other 24/96 masters from thousands of titles coming from Warner. This includes the likes of Tom Petty, Costello, Black Sabbath, JT, Joni, CSNY, Talking Heads, Emmylou, Albert King, Alice Cooper, Bowie, America, The Who, The Doors, The Band…you get the idea.

With the 16-bit streaming version of hi-res MQA I can print the CDs that will sound just as good. Anyone with MQA decoding at their end will hear the full resolution on these hi-res albums as they get released.

For now, you can try streaming the whole album at the link! It’s not lossless MQA streaming from CDBaby like it is on TIDAL but maybe that’s the point cause it still sounds good.

Aloha!

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The MQA Revolution – Once in a lifetime?

“MQA is a revolution that comes along once in a lifetime.” – Robert Hartley, TAS, July 2015

http://www.theabsolutesound.com/art…/beyond-high-resolution/

Since CES 2017 a week ago a lot of people have become a lot more curious about MQA.

I started reading a lot of detail about MQA in the latter part of 2015. I started listening to it in Feb. 2016 with a Meridian Explorer2 MQA DAC.

I became an MQA Ltd. content/artist partner a few months after that and released my first MQA titles as DXD (24/352.8) encoded with MQA and folded to 24/44.1 in June 2016.

I now have at least 20 CD to hi-res MQA master titles, mostly albums online at http://davidelias-mqa.com for preview and download. MQA sound quality has allowed me to release many things I’ve had in my back catalog as wonderfully natural sounding acoustic recordings. So yes, the way they were intended.

It was the PCM solution to good sound I had been looking for with a very tiny footprint to boot for downloading and hopefully streaming someday (like today). It didn’t replace DSD for me, it fixed PCM.

While a lot has been written about MQA in the past 18 months, I’ve found much of it to be highly politicized and not even always reported correctly.

I find that this article written by Robert Hartley a year an a half ago still serves as one of the best concise (not complete as he states) summaries of what is behind MQA sonically, not politically.

Hearing MQA is still what many have yet to do. But this article helps clearly explain “what” it is, not “why” it is.

I’m no expert no doubt but here’s something I can wholly suggest reading if you are seeking a better understanding of the MQA machinery finally at work in the market today.

If you are on TIDAL’s free trial or paid subscription and want to hear 2 excellent acoustic albums that have been with me my whole life, try James Taylor’s “Mud Slide Slim” and Joni Mitchell’s “Blue”. This was 1970 if I remember right.

These two albums in my history with popular music were the very sparks of what went on to define what became the “singer-songwriter” genre some 25 years later.

JT’s master on TIDAL unfolds streaming to 24/192 with an MQA DAC (TIDAL player in passthrough mode) and sounds fantastic. Again if I remember right, “Blue” unfolds to 24/96. Just a truly amazing singer and her guitar or piano or dulcimer.

Aloha!