Tag Archives: Downloads

$7 Hi-Res Album Download – Lucky Labor Day Sale…Aloha Lester

Lucky $7 Sale – Aloha to Lester…

We were quite lucky in Hawaii this Labor Day weekend with the oncoming Cat 4 hurricane Lester (2nd approaching in consecutive weekends) when it chose (with Pele’s urging) to move north and bypass all islands. Here it is as of this morning. Bad ass!

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I have a Lucky $7 album download price on all of my hi-res albums that are now encoded as PCM using MQA to improve the PCM sound quality as well as reduce the size of the files you download.

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Here’s the deal – When you buy any of these album downloads online at http://davidelias-mqa.com you can checkout using the “code name” below to get 70% off. That will adjust the price of the album to $7.

 David Elias - Labor Day 2016 $7 Hi-Res Album Download Sale

These are all hi-res! If you have an MQA DAC today it will unfold the Studio Authenticated MQA hi-res audio above 24/44.1 (up to 352.8kHz) and play it.

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If you don’t have a MQA DAC today, you can still play these great sounding recordings on any player you have (iTunes, smartphone, JRiver, Audirvana, Amarra, foobar2000). If you get the MQA DAC later or it becomes available in the player you are using later (based on whoever makes the media player adopting MQA) it will unfold the hi-res at that time.

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Either way, you can download the albums for $7 now until midnight (UTC which is Greenwich Mean Time) on Tuesday September 6th.

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Use the code above (like: labor2016sampler) for the album you are buying and it will discount the price by 70% which will be $7.

$7 Sale Labor Day - David Elias Hi-Res album download

You can checkout using a credit card or PayPal account, both are secure encrypted by PayPal.

 (“Name Your Price” is an option as well, up to you or leave blank to keep price at $7.)

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When it comes to actually downloading the files make sure you choose one of these formats (click the dropdown arrow to see all the choices on download): FLAC, ALAC, AIFF, WAV.

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I recommend FLAC which is the original master uploaded. MQA works fine in the 3 other lossless formats as well but keeping it as FLAC is the simplest I’ve found in a few cases.  Bandcamp lets you down any or all of the formats it offers so you can try more than one. If you want an MP3 copy for your phone or whatever that’s ok too, just be aware it won’t play as MQA authenticated.

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The other nice thing here is that Bandcamp allows you to stream the albums you buy forever after from the website page — or download their smartphone app (iPhone/Android).

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Mahalo to All and Happy Holiday – anywhere you go, you always take the weather :)

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~ DE

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(questions reply to this message and I get it, no one else does)

Illegalized: $5

MQA – The Room – Lo-Res got better…

The press on MQA is full of a lot of things but not too many of them have to do with how it sounds. I’ve been listening to CDs since you have, since the beginning, early 80’s. I wouldn’t even buy them until the 90’s cause they didn’t sound good. My cassettes made from my vinyl sounded a lot better to me.

I didn’t have to read about it to know that then.

In fact I didn’t like digital audio until I got introduced to DSD in 1999. It finally sounded better than anything I had heard before!

But CDs and CD quality (and worse: MP3, AAC) didn’t go away. I tried :)

I have made a lot of recordings over the years since the 80’s. Even the 70’s. They started on tape, 1/4″. Even multitrack cassette. So so quality. Good times. Then 8 track digital (not 8-tracks, well yes in my bus in the 70’s) at 16/48. Not bad and way good enough for early DIY and online 1995…

I made those recordings for early CDs, unreleased stuff, and then started recording shows using 1-bit Sony TCD-8 and TCD-10 DAT machines at 48kHz. Not bad! Often these were recorded through a single strereo mic I setup in the room in front of the band. To capture the sound we were making that day with those sets (which weren’t written down usually).

Guess how MQA Ltd describes their tech/product:

“MQA is a revolutionary new technology borne from a simple desire: to bring the listener as close as possible to the artist’s original performance.”

Was I interested in how that sounded when I first read about it? Yes I sure was!

So I have gone back to most if not all my earlier digital recordings and even some tape transfers to PCM and worked with MQA Ltd. to have them encoded as MQA. It sounds a lot better than what I had listened to as CD masters and the like before. Sometimes a lot better.

Here’s what I don’t read the press saying about MQA, but that I find extremely valuable about this technology…

When the master being encoded as MQA is CD quality at 16/44.1, the MQA time resolution repairs (my term) done to the master which remove the audible pre-echo ringing and maybe some post-echo ringing are distinctly heard as huge improvements to the sound, ALL WITHOUT USING ANY SPECIAL EQUIPMENT.

No one has to buy anything such as new audio gear to hear these improvements on the natural sound of the recording.  You don’t need a new software media player or a new DAC or wires or computer or anything else. You just play it through what you usually play music through (computer, phone) or burn it to CD! I think you will hear the difference.

An MQA DAC such as the Meridian Explorer2 (PCM up to 192k for $299 US) will unfold hi-res masters to restore and play the higher frequencies. These sound great too!

This is in addition to what I mentioned earlier. But for CDs as masters (original 16/44.1 recordings) there was no hi-res (high frequencies) recorded or mastered. I find the MQA DAC further improves even these (CD) masters somewhat, but it’s not required.

Here’s what a recent listener who was comparing my “Time Forgets” MQA Master against the original CD said. This was on a Macbook, with no DAC or any other special gear, just iTunes playing the 2 versions of the album, alternating and comparing each song:

“oh wow – oh my god
clearer crisp sharp, gawd!! no question
wow! you can hear everything better, everything being all the instruments
sharper clearer you can hear every distinctive instrument, awesome”

I’ve gotten a lot of comments like these from both straight A music lovers as well as from hard core audiophiles.

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So I am offering you a 75% discount on the $20 MQA Master download of a live recording of a full band made on a TCD-8 using a single $99 Sony stereo mic setup on a mic stand maybe 6-8 feet in front of the band playing.

Illegal Copy #2 – David Elias & The Great Unknown
Recorded in San Gregorio General Store, 2002

Click Here To Preview or Download the Illegal Copy #2 album…

These 9 songs were a lot of fun to play in the Store that day and were recorded at 48kHz then mastered by me at 44.1kHz. What you can download for $5 is the MQA version of the master encoded by MQA Ltd. (http://www.mqa.co.uk).

I made some bootleg copies of the recording back then for some friends and the musicians but it didn’t sound quite good enough to me to release as a CD. The energy and performance were good, just the sound wasn’t really “the room”. Now it is. Close enough for an illegalized copy :)

This is a roots low-level basic recording. It’s not hi-res. But it sounds like the room when I hear it now after all these years. I’ve had audiphile comments on this same recording expressing their appreciation and enjoyment of the natural honest and ambient characteristics of this master. That’s all I could hope for.

Use this PROMO CODE for 75% off:   illegalized   (no capital letters necessary).

Share this with anyone you want. The PROMO expires on midnight (UTC) 8/31/2016. The CD download is $5.

I now have 17 MQA Mastered titles (mostly albums) online to preview and download here:

http://davidelias-mqa.com

Aloha to all and thanks for listening,

DE

David Elias MQA 24/352 Masters

MQA = Master Quality Authenticated.

Maybe you don’t keep up on this stuff. I don’t always either…But MQA has been something gnawing at my good sound quality curiosity for awhile now. It is a mysterious (to some anyway) approach to getting better sounding audio from just about any source including typical downloads (compared often to iTunes), streaming (compared often to Pandora) and even CDs (compared often to “the industry”).

So… enter MQA, not anytime that recently, as they (MQA Ltd. spun from Meridian-Audio.com) have been at this research and development for some years now.

My short version is:

Yes, in order to get the hi-res unfolded benefits of MQA encoded audio files you need a DAC that is MQA enabled. There are a few for sale out there now.

Yes, MQA is being supported by some large streaming providers including 7Digital. Others with interest may follow.

Yes, MQA might eventually be deployed in software media players so the need for DAC compatibility could become optional.

Yes, MQA folds the hi-res audio data such that the transport of the data whether streaming or downloaded as a file is a much smaller image than what hi-res files cost today in bandwidth. MQA is always not much bigger than a normal CD to download or stream. But you can get the big hi-res unfolded quality when you play it! If you don’t have the MQA DAC, it still sounds good and is playable on what you might have today.

Yes, MQA playback can sound a lot better to my ears than what I usually hear from PCM masters. The biggest improvement in my unlearned opinion comes from what is referred to as a reduction in the temporal or time blurring of the playback. There is a better focus and location of each instrument in the mix. It is also a more relaxed, natural sound losing some of the PCM edge that I have become pretty sensitive to picking up over the years.

It is more ambient and to me, more DSD-like. It is also more 3-dimensional. I described it to an audiophile friend as a pyramid of sound with the point of the pyramid pointed slightly towards the listener, not straight up in the air. So the image of a band performing the song came to mind very readily, with the back edge of the stage raised and tilted slightly towards me.

So I developed MQA masters of my hi-res albums and my newest CD release “Rare To Go – December Solstice” to allow easier and faster downloads of my masters to be accessed by those who are not especially interested in DSD, or just are maybe just especially interested in MQA or better sounding PCM masters.

Trying to download a 24/352.8 audio file is a “good luck” proposition normally. But MQA allows this to be easily done where the total album is still just around 1GB of data. That’s it.

However the playback sounds excellent with an MQA DAC in use. I am using the Meridian Explorer2 which retails for $299. It does not play DSD files, just PCM at all bit rates.


My MQA Promo…Go here for 2-for-1 MQA downloads…

If you are listening to MQA today and want to hear how my albums sound with that encoding, I will give you a free title of your choice when you buy any of the four 24/352.8k releases: “The Window”, “Crossing”, “Acoustic Trio”, “Coffeehouse Playlist”.

It’s Memorial Day Tomorrow! You can get the Buy 1 Get 1 Free deal until May 15, 2016

If you have questions about MQA feel free to reply to this message, it just goes to me.

I have been working with MQA Ltd. in the UK on getting my DSD masters converted to DXD and then having the PCM masters encoded as MQA. All the work was done by MQA Ltd. and the results have been very and sometimes surprisingly excellent.

I like good sound. If it sounds good, it is good. I don’t have to go too much beyond that for my own sonic barometer. Good job MQA.

I’ve always maintained that DSD is the magic sauce behind many many great sounding recordings and master tape transfers. That’s still 100% true to my ears. How can it be delivered through PCM channels including streaming? The hybrid SACD was and still is a good but only partial solution with the Redbook CD layer.

But what about hi-res DSD conversions as well as native PCM hi-res masters at 24/96 and above?

PCM needs help.

Large hi-res file downloads (DSD and PCM) need help saving time and the ISP’s gigabyte limit for many.

Streaming needs help sounding a lot better than it has from most big sites.

Regular CD download quality needs help sounding a lot better than it has since the beginning, especially when it’s in the form of lossy compressed formats like MP3 and AAC from iTunes, but even as it’s delivered on a typical CD.

MQA helps… Mahalo!

– DE

Go Get Some…Hi-Rez…

What’s New and How You Can Get Some…

David Elias - Independent Acoustic

David Elias – Independent Acoustic


I have been watching and listening to the way online music is changing further towards higher quality on almost a daily basis. One of the latest rockets here is that Sony is now opening their vault of master archives and letting the hi-rez bug put their titles online as downloads in the DSD format.

What’s that mean to you? I think it means a lot for anyone who has listened to vinyl, analog tapes (reel-to-reel), or other HD quality downloads from the ever increasing number of sources that give you something beyond the CD quality we’ve grown accustomed to, but not comfortable with.

You can watch the supposed 500 titles from Sony start appearing at http://SuperHiRez.com now through the end of the year. There are already a few hundred HD (FLAC and ALAC to 176.4k, 24-bit) and DSD64 downloads up there.

Click on the “Digital Downloads” menu in the left column to select specific formats. I’m still in their Top Seller 25 list with “Acoustic Trio DSD Sessions” and “The Window” so thank you if you helped with that.


As you must know by now, I care a lot about how things sound, mostly because there are ways to record and produce things that others can listen to (discs, downloads, videos, streaming mp3’s…) and cause them them say things like: “How did you make that sound so natural and real?”, and “How do you get the bass to sound like that?”, and “I never heard that on the CD!”, and “This is almost as good as my vinyl”, or “This is the best #**@#$(#$ thing I ever heard!”…

So listening to music gets fun again and more relaxed and more enjoyable as a pastime, and not necessarily as a background sound filler.  That is something I like a lot!

If you are into Classical and Rare Audiophile Recordings, try browsing High Definition Tape Transfers…They have HD and DSD for Baroque, Chamber, Orchestral, Symphonies, Jazz…You can find my DSD albums there as well. Thanks Bob!

The new release of the “Acoustic Trio DSD Sessions” recorded by Charlie Natzke at Slipperworld.net is a set of 14 songs recorded in 3.5 hrs. by me (acoustic/vocal/harmonica), Charlie (acoustic/vocal), and Chris Kee (upright bass).  We had the windows open (you can hear the redwing blackbirds on one track). We were standing about arms length from each other in a circle. We had our mics bleeding into each other…

We recorded to Sonoma DSD64 live with no overdubs. Nothing was edited.  I mixed this on Sonoma in a day and a night. The Sony mixer card allowed me to do that without ever converting the source tracks from DSD to anything else, even to analog and then back to DSD. The result is 100% pure DSD.

So it is a very live acoustic natural reproduction of a studio performance of the trio. Some people feel this is my most “authentic” recording. Their impression may be so because there are only 3 instruments to pick out and spatially they are represented in stereo in just the way they were recorded.  As I told a friend online, you have to stop thinking of “L/R” (left/right) and think of a performance of 3 guys standing in a circle and you sitting or standing there with them.

I now have the HD version of this album as an 24-bit, 88.2kHz FLAC download for those not using DSD playback hardware or software.  In addition, you get the smaller files as MP3-320 (320kHz) to use in your Smartphone or tablet.

The HD version is now online for $14.95.

The DSD (which also includes FLAC and MP3-320 copies) is also there for $24.95.

You can find these downloads at http://www.davidelias.com

If you have any questions, just reply to this email. Hardware and software for DSD playback is getting easier and cheaper to find. If you are interested in learning more about it, I can try to answer your questions. Two good sources to search for info are Positive Feedback and DSD Guide.

Thanks for Listening!
If it sounds good, it is good…


If you are interested in creating a DSD multitrack recording of your own, contact Charlie Natzke via email – He’s in La Honda, CA at Slipperworld.net.

Charlie is the studio and DSD engineer behind my “Crossing” and “Acoustic Trio” recordings. Another new DSD album release I hope to get out this year is one more project Charlie setup the studio for, recorded to DSD on Sonoma and mixed as analog. He’s da man!

My song “Silver Pen” online for download now is a single from this next DSD album release. It lets you compare different audio formats to hear the differences for yourself. It cost $4.99 for all 5 formats (DSF, FLAC 24/96, WMA Lossless 24/96, WAV 16/44.1 (CD), MP3-320).

Aloha!

– DE