Tag Archives: CDBaby

Rare To Go – December Solstice CD & Download…

Click Here to find the CD package online, and the Mastered CD tracks to Download…

3D Animation of the package…

For the Solstice and Holidays, and with 25% discount on both the CD package (ready for shipping around New Year’s Day) or the CD Master audio download (ready now as WAV, FLAC, ALAC, AIFF), I want to share what I came to think of as something like my musical diary of a working band.

The Story…

It was more than just finding a new CD to come up with. In fact it started with me over a period of months just listening to tracks that had accumulated at different times on a mastering/recording box I have (Alesis ML-9600).

Some of these were mixed DSD studio takes downsampled to CD resolution for reviewing, others were live band rehearsals capturing the room in stereo with 2 mics. Others were from shows where I had a DAT recorder at 16/48 plugged into a mixing board.

So the story of how events (rehearsal, studio recording, live shows) progressed at seemingly random steps slowly emerged from these playbacks. Then I wanted to organize a thread of them for myself as a warm recollection of a lot of talent and a lot of work and even more so, the fun and enjoyment shared among the musicians during the journeys.


The CD…

And that was the genesis of this different kind of album. It’s one that took all the hi-res and lo-res, well prepared and getting prepared, and live material, and put 10 songs together that helped visualize in an audio fashion that story, ending with my migration to Hawaii (“Help Yourself”on ukelele). It’s just my personal version of that story through these tracks. I am so grateful to have been part of it.

Click Here for the 18-page CD booklet as a PDF with Notes, Lyrics, Photos, and Links.

Then I wanted to share it with anyone interested. I also wanted to optimize the fact that all the source recordings were going to be mastered as a homogenous album for CD release. In other words, all I wanted was a good sounding CD, nothing else. This is not the focus of the SACD hybrids or DSD Downloads. So I then worked critically on that final CD mastering using the tools I had.

A lot of people who have been listening to me for 20 years or so haven’t had time or inclination to get on fast tracks to h-res and all the gear and software that takes plenty of both of those ingredients (time & inclination), not to mention some extra dough.

I felt in a retro way that it should be simple to provide an honest and very good sounding CD to anyone and everyone, instead of isolating the music towards only those with hi-res (DSD, HRA) inclinations. Something to carry to the car or to someone’s house or to just keep laying around in the living room to play a bunch…


The Holidays…

So by putting this out I’m breaking down some of the walls I myself created diving into hi-res (which I still love don’t get me wrong). And this disc still contains all the important qualities I’ve been tuned into for all these years: good honest performances, good room/mood/ambient captured in recordings, and good studio preparation (mix/master) for release. Is it hi-res? No. Does it sound real, live and natural with high quality? Yes!

So here it is for you to enjoy as well. In addition to the 25% discount offer that is good through New Year’s Eve 2015, I am including a free copy of the “David Elias & The CasualTees” CD with all of the CD disc orders. This has a limited edition quantity (signed if you like, one or both discs) of 50.

Use these Discount Codes for the Bandcamp 25% off:

CD (w/ downloads and streaming): raretogo_cd

Download Only (with streaming): raretogo_download

The CD will begin shipping right around New Year’s Day 2016 + 1… (that’s Jan 2nd or so).  Yes if you buy the CD you get the CD Master downloads as well as unlimited streaming from the album page. Bandcamp happens to sound very good to me, however it is streaming the CD and HRA masters I have there. You can in fact preview any of the albums I have there in full — not clips, the whole song.

You can find either media to order using the discount codes above right here on Bandcamp…

When I get the discs (I like the new package a lot!) that are being replicated right now (real CD’s not CD-R’s) I’ll start shipping the CD orders to you with the free “Live in San G.” copy as well.

I suggest you download the PDF to read and reference for all the lyrics and other notes. The lyrics are even written like a story this time (i.e., paragraphs). What can I say, it just happened.

 Be Well…

So be well and enjoy yourself through the holidays and into the new year. My thanks to you always for listening and to the musicians and studio/sound people on these tracks with endless gratitude.

Aloha,

DE

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new beginnings … 20 years in the making

With the 2013 Autumn Equinox, I am releasing a collection of recordings that was made about 20 years ago. It was the beginning of my work as an independent acoustic artist in the SF Bay Area. I began performing my original songs back then in a retro solo coffeehouse style approach to live music.

I also began recording at my home studio with the encouragement and assistance from Gus Skinas and Roger Powell who helped set me up with gear (which included a nice 100-year commemorative Gibson Gospel guitar!). I recorded to Hi-8 video tape on a Tascam DA-88 8-track PCM 16-bit recorder at 48kHz. Gus loaned me 3 very good mics which was probably the biggest quality influence on the whole setup.


… A CDBaby is Born …

Those are my beginnings as a DIY musician and the first effort yielded my first self-released CD called “Lost in the Green” in 1995. A few years after that I found out about a brand new online retail outlet called “CD Baby” (what a name!) for independent arists.

I had 2 CDs released at that point (“Time Forgets” was recorded in 1997 and released in 1998) so I called Derek Sivers in Woodstock, NY who in 1998 had started this brainchild of hanging anyone’s self-made CD in his storefront window and letting the artist control 100% of everything about the sale through their online account.

This included the retail price and all the info about the release. It could be changed by the artist at any time. Derek provided the warehousing of the inventory and did all the online transactions with Visa/etc. and shipped the package to the customer. Then he told the artist about it via email and kept the history of the transaction online.

To this day, I can look up the first CD I sold through CDBaby online in about 5 or 10 seconds. That’s 15 or more years ago! CDBaby has not changed the price it charges to provide their service to me ($4 per disc no matter what the disc retails for).


 … Getting Online … Slowwwwwly ….

At this point, in the 20-year horizon of how I was encouraged to produce my work and find my way into the Internet and DIY music, I looked back to the first recordings I made. This was all before CDBaby, before iTunes, before Hi-Rez, before Napster, myspace, Dreamweaver, DSL and cable modems, and lots of other things I gratefully forgot about…

I was staying up late nights into early mornings writing HTML in a Notepad text window and uploading it to my account with Netcom.com out of San Jose, one of the first ISP’s in the Bay Area. I didn’t have a domain name of davidelias.com. I didn’t think I’d need one…

But I did use the Alta Vista search engine (no Yahoo! or Google yet) to find the web sites and playlists for public and university folk and country radio shows. In the days of 19.2k, 33.6k dialup modems that everyone had, there was no streaming of music online.

You could upload and download mp3’s and then play them through things like Winamp (which I still use sometimes) but the radio stations weren’t part of that. What they did was show you the programs they had scheduled and the playlists of what went out over the air in recent shows by the different DJ’s. (They were using the web to try to push you to the air waves!!) They often had email addresses for their staff.

So I started emailing those DJ’s who were playing songlists that I felt my work would fit in with. I let them know what I was doing as an independent artist with a web site, writing, performing and self-producing CD’s and asked them if I could mail them a disc to audition for their show. They usually said “Wow – you must be crazy and when do you sleep and sure send a disc to me”.

I could then track my work appearing in shows in the US and other places as far away as Hong Kong. I maintained my web page by hand and added radio info and pictures and mp3 downloads as time went by. There were very few rules as to the “right way” to do things…This was still quite a ways off in the future…maybe it still is…

MP3.com went online in 1997. It let anyone upload their music to the web to be accessed by the universe of listeners, many of which were also artists. I was in heaven!

I don’t remember any other artist songs as covers or copies like the YouTube of today. I remember all this original music. Maybe I’m glorifying it, I don’t know.

Before too long there were a million songs online at MP3.com from independent artists like me. By 1999 MP3.com went public and all the artists online there were offered an IPO price on some (small) number of shares of the stock. Good times!

A shared music platform with free exchange of styles and motivations. Too good to be true? Yep…MP3.com produced some very big rumblings in the record industry that was sitting back watching music being given away…. lawsuits and the rest followed as MP3.com departed. (It first got locked in a drawer by Vivendi, then went to CNET and exists today in another form.)


… Napster (free) … iTunes (not!)  …

In the wake of MP3.com, Napster and others, there emerged a new unfolding of the retail motherlode of digital downloads…iTunes. I had been online almost 10 years with free MP3 music downloads at that point.  But suddenly there was this very huge RETAIL thing looming in front of the independent artists. CDBaby took us (lowly unsiged artists) to that front door, and all the other OMD doors…

Since then, iTunes has sold some 28+ billion downloads…that’s a lot of noteworthy hamburgers so to speak…CDBaby is the Online Music Distributor (OMD) of my catalog to over 50 download retailers including Spotify, Rhapsody, Amazon, Napster, MusicMatch, EMusic and last.FM. There are over 350,000 albums on CDBaby alone (2+ million songs!) that can be purchased as CD and/or downloads right there.  That’s just CDBaby, that’s not iTunes!  You want to make a living as a musician with some songs recorded?…uh you have a few competitors out there…

MP3.com proved that there could be a huge music community of artists and listeners using the web as a conduit for the exchange of music. MP3.com was visionary in this regard. they were ahead (meaning occured before) things like Ecommerce and ad-supported web pages. But they didn’t charge anyone anything to post music or to download music. It was just about the music for them, or so it seemed anyway. I, and I think millions of other people as artists and music lovers, liked that a lot.

Steve Jobs saw and seized the opportunity… iTunes became the vending machine for delivering music to a BUYER not necessarily a LISTENER. People who were involved in the approach (software) used to encode and compress the music files as MP3 were not necessarily happy with the resulting quality of the recording compared to the original. But modem speeds and expensive disk drives at the time were both catering to smaller files to download.

So iTunes jumped on the wave and created what I still think is one of the best media manager software packages out there. I spent years telling people that if they wanted to just catalog their CD libraries they could download iTunes software for free and do just that and play the music from the computer (or send it to their stereo system) or iPod or iPhone if they had one, and never buy a single download from Apple.

iTunes lets you rip CDs to WAV (if you change the settings) so the CD and resulting digital file sounds are identical. I don’t think most people understood how useful that was and still is. You can also sequence songs you want and easily burn a new CD with the same audio quality.

Newer software that can also play DSD now exists so iTunes hasn’t quite the same clout that it did…Still most media player software integrates WITH iTunes, it does’t try to REPLACE iTunes. Talk about market share…

What iTunes also did however, was assign a value ($.99 to be exact) to each song on the web. What a concept that Jobs had!  So free music became less interesting to a whole lot of people on both sides of the equation from then on.

The record industy had its serious competition forevermore; music lovers had to start being more judicious (mainstream?) about their choices of music; and starving artists (or some version of that) got this new gleam in their eye that said “hey if I could only put the right song up on that iTunes I could probably make….”).

Also In the wake of iTunes came a host of new challenges and opportunities, all of which I managed to get tangled in without a lot of guidance because most people didn’t know much about the How-To either.

Some were quite fun really as technology got kind of bolder on the desktop and then notebook then notepad computers. (Today I’m using an old iPhone as my portable tablet!) Plus I’m a persistent type so I don’t mind doing the research and experimenting for my own education.

A memorable list of emerging technology for music during those times is: webcasts, podcasts, live streaming broadcasts, highly stylized and customized media players, standardized media players and eventually videos.  Most if not all of these are still around.

So the waves of independent artist music grew large and poured out over the web, with me right in them.

Derek Sivers has since sold his CDBaby business (2008) which had grown to include HostBaby (where I’ve hosted my web site since he started that around 2000 I think) and other things. But the mechanics of how CDBaby works are the same.


DSD Wobbles Around and Then Sits Up Straight After 10 Years or so…

Time sure did race by… Now in 2013 I am 20 years into being an independent artist and also 10 years into the creation of the planet’s first independent (unsigned artist) hi-rez SACD recorded and mixed for stereo and 5.1 surround sound.

I made “The Window” available as a DSD Disc (stereo DSF files) download in 2009 – another first – to anyone interested in accessing hi-rez over the web as opposed to on an SACD disc. These were mostly being played on some of the 30+ million Sony PlayStation3’s out there that supported DSD Disc.

This same format (DSD as DSF / DFF audio files) was just this month, 4 years since my DSD Disc release, announced and embraced by Sony as part of their new High Resolution Audio (HRA) campaign that encourages DSD Downloads. Good friends to have in the DSD Download market!

You can read about their initiative through these links

http://www.usatoday.com/story/tech/personal/2013/09/03/cea-to-tout-high-resolution-audio/2758871/

http://www.cepro.com/article/sony_releases_8_hi-res_audio_products/

You can now also find my released DSD recordings online with the record label DSD Download crowd online at http://www.SuperHiRez.com — there lots of press and buzz about this:

http://www.positive-feedback.com/Issue68/hi_rez.htm

I’m just happy that there is a (rapidly?) growing community of artists, producers and labels that care about how good their recordings sound.  They (Sony and retailers) might say it’s because their surveys say that the market wants good sound, but I think they have to want good sound as much or more than anything else… let it happen!


Independent Acoustic Roots…

This new release is where I started with this world-connected music. I’d already been playing guitar and performing my songs for 20 years (I know, I know…). But that’s another story. Everything changed with the digital technology that enabled DIY CDs to be created and web connected communities of art started flowing into retail pretty quickly.

So here are 16 songs that are from the Big Bang of my Independent Acoustic DIY universe as a singer-songwriter. Playing guitar is one of the things I’ve cared about my whole life as a young guy then young student, then young adult then … what am I again now?

It doesn’t matter. Music is timeless. You can find the track downloads online at www.davidelias.com right now.  They will be online at iTunes and the rest of the web download machine any day now. “Lost in the Green” never made it to iTunes for personal and then some bureaucratic reasons. So adding this release to my catalog on iTunes and the other download sites helps complete my story online for Independent Acoustic.

Thanks for Listening and thanks to all those who have helped and encouraged me to be Independent along the way.

Enjoy the change of season with the Equinox.  9/22/2013…4:44pm EDT


About the new release…

Independent Acoustic Roots — these are solo acoustic bare bones performances, original mixes. As a result there is only one overdub on these tracks. Calvin McElroy plays mandolin with me on “Season of the Fall”. John Caulfield added his fiddle part to “Time To Sleep Corrina” as an overdub.

Some of these tracks were used later in multitrack mixes for the release of “Lost in the Green“. Some were unreleased. 4 tracks are written by Townes Van Zandt and recorded during the same time in 1994. Only two of these appeared on “Lost in the Green”.

 1. The Great Unknown (David Elias)
 2. Season of the Fall (David Elias)
 3. Dollar Bill Blues (Townes Van Zandt)
 4. Lost in the Green (David Elias)
 5. Time to Sleep Corrina (David Elias)
 6. May People (David Elias)
 7. Field of Wood (David Elias) *
 8. Nothin' (Townes Van Zandt)
 9. Every Hour, Every Day (David Elias)
 10. Eye on the Wind (David Elias) *
 11. Mainland (David Elias)
 12. Hair of the Dog (David Elias) *
 13. Rows, Desolation & Angels (David Elias) *
 14. Stormy Early Warnings (David Elias) *
 15. Waitin' 'round to Die (Townes Van Zandt) *
 16. A Song For (Townes Van Zandt) *

* Does not appear on “Lost in the Green”

“Independent Acoustic Roots” is online at http://www.davidelias.com


   16 acoustic tracks from the DIY digital dawn... NEW Release! Original Acoustic Tracks from 1993/1994