10/27/2014 – Update
Cut to the chase.. Free EP download as MP3-320 through the end of October is online .. Click Here!
Password is: slippah1
To celebrate the release of my new 6-song EP “Slipper DSD Sessions – And The Bit Goes On…” hi-rez download I am giving away the entire album in MP3 format.
Just send me a note from my contact page at http://davidelias.com/contact.html and I’ll reply with the download link and password.
Just when you thought you understood “genre” you get Independent Acoustic ranging from heavy wood trio to electric quartet and a chilling solo thrown in for good measure. You also get a full PDF booklet with lyrics, notes and photos.
Read below what audiophile Gary R. wrote about these songs.. Hope you get to hear them and tell others about this offer through October.
The album is online for download in 3 different hi-rez formats: DSD, FLAC 24/88.2 and FLAC 24/176.4 — you get all formats now for $9.95 as well as the MP3 — Buy it in hi-rez here.
What you get to hear on this release is a very dynamic side of the David Elias catalog recorded carefully at Slipperworld to take advantage of the rich spectrum of harmonics, decay, resonance and natural analog like sound captured by single bit, 2.8mHz sample rate Direct Stream Digital (DSD…and the bit goes on…). You can listen to these nuances using any computer audio gear or home/studio hifi gear in any DSD or downsampled PCM digital formal.
Here is what audiohile Gary wrote me about these new tracks – Aloha! – DE
Miracles take time
There is a delicacy, hushed reverence and deeply felt awe in this song, a melancholy “smiling with sad eyes” vibe. I was deeply touched. Love that your lyrics are both accessible and enigmatic. They require the listener to pay attention and “get it” but without the struggle and off-putting frustration of completely obscure and inaccessible lyrics. You’ve always had the right balance as a poet and song writer in tuning in to this balance.
Love the intro. Mysterious but inviting where an expectant anticipation is created. The ensemble playing is, as always, first rate.your voice is in a higher range which conveys a bit more anguish at being sometimes bewildered by life itself. Settle Down the Questions indeed? Love the riffs between stanzas. To me the song is about not taking the easy way out and giving in to glib and ready answers to life’s most difficult questions and quandaries. One continues the pursuit; the struggle because one must. There is really no other way to be truly human.
White & Blue as a propulsive allure that conveys a mystery within mystery. Perhaps the passage of time with its inevitable longing and as perceived from the different vantage points of other living creatures.
Silver Pen.. I love the opening intro and the transitions. Playing and ensemble are, as always, top rank. Nothing is overdone or underdone. The tonal balance matches the purity and honesty of your singing. Pristine.
River of Dreams is very much in the same spirit of longing and remembrance of what once was but can never be again . . . no regret . . . just sadness, longing and acceptance. Loved it.
With these last two songs, I’m reminded of several of my favorite songs of longing that make me deliciously melancholy every time I hear them. A contradiction in terms? I think not. These songs describe the person left behind and explore what draws the other person – sometimes inexplicably – to another place – like a magnetic north that can’t be resisted. These are some examples:
Bob Dylan “Man in the Long Black Coat” on Oh Mercy
Alison Krauss “Maybe” on Forget About it
Alison Krauss “Ghost in the House” same CD
Joan Baez “Jesse” on several of her classic CDs
With the final song “Miracles Take Time” the listener is gifted with two versions of the same song in this, David’s latest offering. One version is with his band; in the other he is solo. Both versions convey the same words but, at least for me, create a slightly different emotional response. Part of the delight of listening to great music like this is that the listener must construct meaning for his/her self. For me, “Miracles Take Time” conveys the indefiniteness of both outcome and time of things worth waiting for. The solo version is a deeply personal rendition that revels in the silence between the notes, whereas the version with the band is more communal – a shared experience, that is more upbeat in the sense of creating a lament that is shared with others in real time.